Yoji‘s ‘Paint The Clouds’ pierces through melancholy like the first ray of sunlight after weeks of rain, where raw vulnerability meets healing through rhythm.
Arcade Velocity: ‘Velozin’
Arcade Velocity‘s ‘Velozin‘ erupts like digital magma through circuitry, where Albin Ström’s mastery of tension transforms electronic experimentalism into visceral poetry.
Goose Down: ‘Think Tank’
Goose Down‘s ‘Think Tank‘ lands like a fever dream in a chrome-plated nightclub, where artificial intelligence meets analogue swagger.
Slung: ‘Laughter’
Fresh from their rapid ascent in the underground scene, Slung‘s ‘Laughter‘ arrives like a clenched fist wrapped in velvet – a powerful exploration of familial trauma that hits with precision and purpose.
Diebesgrau: ‘Echo Hotel’
When darkness meets rhythm, something remarkable often emerges – Diebesgrau‘s ‘Echo House’ proves this with understated brilliance.
Skinner: ‘Sour Milk’
In the sleep-deprived haze of night shifts and isolation, Skinner‘s ‘Sour Milk‘ emerges as a feverish slice of modern no-wave that turns disorientation into art.
Frum: ‘Rise’
From the isolated majesty of the Faroe Islands emerges FRUM‘s latest single ‘Rise‘, a piece that translates the raw power of Atlantic swells into a defiant anthem of personal growth.
Lorelei x Panpsyche: ‘Invitation to The Table’
In the space between heartbeats, ‘Invitation to The Table‘ stands as a gentle rebellion against our rushed modern existence.
Where Sound Meets Freedom: A Conversation with Simone Seales
“My life feels like an entire improvisation,” says Simone Seales, Glasgow-based cellist and performance artist.
Between Genres, Beyond Boundaries: The World of Brownbear
“When you can win over a pub that hates you, you could probably win over a venue that’s come to see you,” reflects Matthew Hickman, better known as Brownbear, contemplating his journey from Ayrshire pubs to major venues. It’s this hard-won wisdom that characterises an artist who’s consistently pushed against expectations, both musical and cultural.
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